nice price deal !!! the latest release on sabina plamenovas opit label marks the next step in her creative path with two multi-faceted and intriguing tracks of her own, remixed by egyptrixx and ghosts on tape, producers who boast some of the most relevant and inventive ideas in contemporary bass-driven club music. still impossible to define, subeenas original tracks on the package are innovative even by her own standards, and for the first time plamenova combines her own voice with her sensitive, intelligent, and nuanced production, to powerful effect. support from untold, simbad, sinden, altered natives, appleblim, scratcha dva, modeselektor and more.

support by: magda, adam beyer, troy pierce, konrad black, ellen allien, damien lazarus, camea, alexi delano, tim xavier, joell mull, someone else, dilo, ambivalent, dustin zahn,.. british tech-house master mark henning is back on clink with an exciting collection of deep and funky tracks, perfect for spring and summer. this new series of artful techhouse encompasses our love for immersive and psychedelic music, and stays true to the fast developing sound of our imprint. the ep kicks off with the title track >supersonic< and presents all of the right elements that we love in trippy tunes: aquatic bass, transparent atmospherics, and an orbiting vocal to boot

black rascals >blaze theme track< receives a reissuing from slow to speaks core series! one of the best moments from one of the best deep house production teams ever to grace this good earth, the impossible-to-find >blaze theme track< is the quintessential instrumental masterpiece from new jerseys kevin hedge & josh milan. moody, brooding chord stabs lay way for a breathtaking bass solo that drives the record forward from the first few measures on to its continuous and relentless ascension

the new release from wigflex is a showcase for hizatron, one of most exciting and forward-thinking producers in spam chop s nottingham crew and, like a rave-up in a haunted house, it s dark, loud and batshit insane. executive ball scratcher is jinky and elegant until it explodes into a million glittering pieces of shimmering alien melody-box noise. at all times the insistent, pulsing beats and the thick bass stabs keep the track firmly rooted on the dancefloor, whilst its eyes and fingers lift to the stars. on >klonndyke final<, layers of battling, aggressive, organic percussion pave the way for a dirty, banging bassline and morphing, insane synth lines. constantly building, on the move and entirely unpredictable. a synth line evoking classic techno of the past is messed with on >telescope dope<, like a child melting a slug with his magnifying glass until all that remains is a scattered and horrific sludge. pummeling beats bring it together, creating a hypnotic and terrifying finale. with this release hizatron stakes a claim as one of the brightest young things in the uk electronic dance scene. with its shifting, exploratory layers of melody, thick bass and complex beats, the ep further blurs the lines between house, techno and dubstep, combining moments of iridescent beauty with raw, guttural power. a record for headphone enthusiasts and dancefloor paragons alike. watch out.

after penning several of the classic cuts on manchesters cult pleasure label, martin played an instrumental role in the rise and rise of the citys famous fat city record store and stable of labels. later work as part of j walk led to yet more acclaimed releases, including 2002s superb a night on the rocks lp, beating zero 7 to the buzzer with their expertly executed lounge-funk. here martin returns to those raw fat city roots however, concocting a fierce bass led freak-out which sounds like a super charged lost classic from the golden age of funk ! manchesters fastest rising aussie star rüfdug gets to grips with the flipside, offering up a perfectly executed modern house jam, which lifts the dancefloor elements to a different level with a great deal more dirt and drive ! a killer release were sure youll agree

numan khan from manchester is a new artist for planet mu with an original musical style that mixes dubstep and grime influences with an idiosyncratic take on rhythm to great effect.
this four track ep showcases his styles from the a side with the lush melodic accordian and snes melodies of >race against time<, to the slower, disco influenced >photograph<.
the b side starts with >voodoo<, which combines grimey bass and strings with offbeat drums to odd, driving effect and finishes with >xx< which sounds like a long lost golden era 8-bit grime instrumental but with deft production tweaks and fx that keep it interesting and effective.

with this release sinan kaya, an istanbul based dj and producer, is becoming a fresh member of the berlin tonkind crew. since 2001 his passion became also his profession, which he continuously dispread with dj-ing and scores of releases across the bosporus over to europe. his productions and sets can be defined as deep and playful. so aswell this release, which comes up with three variable tracks. something else in the front, shows sinan kayas touch for the impulsive sound.this track becomes a real trip on the dance floor and reflects a farsighted feeling for elctronic dance music. on the fells operates more the minimal genre and adepts a symbiosis of many samples, a duby bass and a bumpy rollin groove. as last but not least there is bloom, a rather charming and friendly tech/ deep house track consisting all required ingredients to make it work as dance floor teaser. in all three tracks its possible to notice some eclectic material of jazz, funk, chigago and jackin fragments put together to a unique sound and providing a different vision for life

randalls mac 2 recordings showcases another banging release with the return of fast moving breakthrough artist soul intent. having all ready featured on the label on the 17th release back in 2008 and on the recent justice league ep soul intent returns once again to show us how rolling drum n bass should be done. the a side >rebel music< punches through with razor sharp breaks that bring the track to some seriously sub low basslines. haunting vocals lead through the track introducing some seriously deep fx and strings that make this track one stone cold killer. the flip >cybergroove< makes for a more upbeat affair but certainly shows soul intents versatility as an artist. percussion lead breaks and some haunting strings cut into a bassline that punches its way throughout the track before cutting into a fx lead breakdown. dj support from : randall, ai, klute, doc scott, survival, fabio, crissy criss and eveson radio ? bbc 1xtra and kool fm

ninja tune records have kindly allowed aus music to release some of sideshows deep, intensely dubbed-out interpretations of the latest fink album sort of revolution, the critically acclaimed international singer-songwriters third album for the legendary stable. on the vinyl we have the two sideshow rubs of the albums lead singles. sort of dubolution (a dub of the albums title track), comes as a classic sideshow live dub epic, drenched in fink?s signature vocals alongside an earth-moving bass line. follower dub it all (an edit of finkssee it all) is a stabbier, angular take on the original reminiscent of scubas recent late-night masterpieces.

the distinct trademark of a bara broest beat is the soft but deep kick, the rolling house-groove just around 124 bpm combined with very heavy dub-bass-lines.

the long term, super-productive story of class-act producers phonique and tigerskin continues with the next installment on ladies & gentlemen. over 4 tracks (and one more digital bonus) the pair explore their passionate, freaky and funky sides in this, perhaps the most functional release on the label yet! phonique throws us two hot ones with sandman and longdrink. the former skips through tripping, tooly and percussive territories while the latter goes all out with addictive rolling bass and hedonistic synth passages. marrying an old-school flavour with high-end, modern moments, phoniques side of this unmissable 12inch is just as strong as his legendary dj sets! tigerskin then takes centre stage with loop back in time and tonys riff. >in time< grows from a rolling drum array into a surging disco fueled killer, that whisks us away to a brighter age with its soaring strings!

the restoration crew strikes back with >amber e.p.< , a celebration of the necessary power to feed the machines and to keep them working. live recorded on tape, its pure raw analogue sound, its true dedication to urban dance music. the long track on side a, >andy< is produced by the third side, the infamous berlin based team formed by panorama bar resident steffi (ostgut ton/klakson), marieu and lucretio. an evocative female voice,a powerful rumbling bass, fat beats, hypnotic strings, a relentless pace, an acid taste: simply, a burning spear for the dancefloor. on side b, >thinking right< by lucretio pick up the baton left by infiniti with his later works. full sub-bass deep techno with soul. ground breaking rhythms, filtered vocals and harmonies, a smooth build up on a minimalisitc structure. clear eyes on the future of techno. marieus >the guardian< is an amazing fusion of jazz and deep house with motown influences. the blend of vanguardist chords and exquisite tight drums lead to a joyful experience, the surprising ad-libs spreaded along the track keeps the involvement high during 7 minutes

the first and most important of the four food groups is flapjacks. a great example of this is in bryan jones flapjackin jam low flow. the beats are as thick with butter milk and the bass is fluffy and melts in your ears. the second food group and a perfect complement to the first is syrup. czech republics arco gives us a sugery delight entitled first time, which can be poured or spread over just about everything from toast and flapjacks to spaghetti noodles. this tune has a nice and deep brown maple sound that like syrupy goodness, sweetens up every mix. the third basic food group is eggs, everyones favorite baby animal embryo treat. melbourne, australias house mopper d-t3ch, plucked the perfect egg from his prized chicken with his spoken word groove give & take. in this smooth bumpin scenario, the chicken gives the egg, and d-t3ch takes it and whips it up into a wonder house omelet. the last but certainly not the least of the 4 basic food groups is the bacon. bacon just makes everything better. oregons forrest avery & derty d definitely take the bacon with their super fried, crispy, salty smash hit the perfect beat. this tune does to a club what bacon does to your heart…it clogs dance floors

ajello is the duo of luca >dj rocca< roccatagliati and fabrizio taver tavernelli. rocca is a dj, producer, musician. taver is musician, singer, producer. together the pair create a diverse sound inspired by >electro, new-wave, italo-disco, disco, neurofunk and eurodance.< supported by the likes of laurent garnier, erol alkan, nick fanciulli… a1: >jr. pump<: up-tempo driving beat entwined with melodic synth, congo percussion and a tremendous bass line. a dance-floor killer. b1: >cyborg chief<: futuristic sounding bass with a lovely groove, constantly moving and carried by spacey synths laid over a tight percussive beat. b2: >disco django<: disco strings with heavy tribal style drums, cowbell and deep vocal sample grooving with an offbeat hi-hat

a hot, new, exciting project: fist or finger, a collaboration between like minded souls jozif goodman and craig richards. this is fist or finger volume one, which features an original track by jozif and a reinterpretation by craig richards on the flip. this is the format that the forthcoming releases will take. jozifs original >beat in space< is monster of a tune. a heavy ass, bass driven slice of sinister analogue space funk, complete with dark, ominous stabs, enchanting tripped out breakdown, creaking doors and beats fit for a king…>watch yer bassbins im telling ya, we got beats in space<. fans of jamie jones, jesse rose, pezzner and robert james will adore this, proper future funk

j-roc: the motown mashdown ep pure funky breakbeat madness to mashdown good old motown release: 2010-10-04 label: big m productions genre: dance supplier: kudos records ltd --------------------------------------------------------------------------------cat #: bigmp07 upc: 5050580547131 format: 12 dealer: £3.50 tracklisting1. mr bigstuff play save as2. funky penguin play save as3. shining star play save as4. funky penguin goes to new orleans ft. the gaff play save as the magic number seven in the row of artist releases on bigm productions is up to j-roc (sould out djs). with this 4 track loaded bomb, he delivers pure funky breakbeat madness to mashdown good old motown. while side a delivers modern bass loaded rewind power of cranky and vintage soul tunes to blow the floor apart, side b shows up with ultra cool grooving funked up breaks and a breaky guest remix action. unbelieveable. dont miss this nugget

nice price deal !!! the final 12 inch vinyl taken from the turn the page album. whilst other tunes have hinted at it, >metroplex< fully embraces their inherent love of techno with huge half-time 808s and synths that would make juan atkins chomp at the bit. one for those who know and a lovely surprise for those who are yet to know. on the flip >future shock< sticking with the vintage outboard gear sounds the guys then up it once more for one final drum & bass rollout that has killer written all over it. turn it up, close your eyes and get marching!

the journey begins with lose my life. lady blacktronika lays down her soulful vocals, deep bass and moody keys over simple and captivating motorcity beats. deep, groovy and hypnotic, the overall sound is far more than the sum of its parts.

first release by new label apersonal music. project created by andres vegas and maurice aymard, who challenge the current music business crisis by joining the list of adventurers who releases on vinyl during times of retreat. the label is intended to publish music that points back toward the classic sounds of electronic music, the eternal sound. for the ever loved and well remembered 001 they sign producer trujillo. a pioneer of the electronic music scene on his country venezuela, also native land of the label heads. the single runs at 110bpm with a retrospective feeling, built by melodic synths, low bass and provocative voices. “baby you’re still the same” a slow burner that takes you on a journey of inspiration

don froth follows up his debut release of foam with shakedown, a monster bass, heavy snare filled 12 inch ready to light up the dance floor.

two true heroes of underground electronic music, alex flatner & lopazz step up the game with this brand new outing on poker flat. the original version of >dinosaurs< is a pacy, energetic jam with a super-solid bass foundation. tracky, urgent and of course wonderfully produced, it harks back to the trippy, percussive sound worlds of classic poker flat releases from the likes of guido schneider. paul woolford hands in his >mannheim< remix, which takes a freaky, percussive edge and steps up the energy even further in this amazing workout.

lee holman strikes us down with some seriously deep rooted techno, bombarding us with elements of gabriel and curtin cutting into the mixes.
the first track on the ep is seek, straight forward hypnotic dance floor business elevated by shaking percussion and vocal stab. search hits us straight away with deep detroit feelings shivering and unwinding as the track progresss, you get to see why lee has released on labels such as ferox, fine art and voorns nightvision imprint. found has to be highlighted as one of the must haves on the ep taking us on a journey right from the off. beautifully layered pads mixed with a tight and funked up bass line. berlins mike dehnert hits in with his signature sound of deep late night bass heavy groovin techno, twinkling and making every bone in the body jive to the off beat, a serious ep with serious intention.

fierce jacking chicago influenced tracks as only legowelt can do it! very much in the vein of his dx days release with straight forward jacking analogue drum machines, trademark legowelt string sounds and wobbly bass lines.

2nd release from seiji his new label, setup to release his own productions on vinyl. 2 more corkers on here, straylight sitting somewhere in the funky corner with a direct house rhythm and rave-ish chords.weedkiller blows out any blunted cob webs with straight up seiji bass filth.tip!

mataduo is a project created by two young italian guys, francesco resta and alessandro sensini. they live in bologna and they are resident djs in two different but very important club in the city as cassero and kindergarten. they started this project (mataduo) about 2 years ago with the intent to create a tech-house sound out of the trends of the moment and characterized by a strong bass and percussions suitable for different kind of dancefloor.

even the last ep >contemporary box< by christian burkhardt was an exceptional experience for every listener. now, after two years of abstinence on oslo, the gifted artist surprises us with his next album >redford.< on the a side christian burkhardt presents us with >scream< a funky track, in which mainly the vocals let shake the dance floor and draws the audience into his spell. >redford< on the b side stands out with its concise and groovy bass line and stands with its hypnotic sound. an experience for the upcoming club season!

excellent two track deep house vinyl... raw, analogue sounding as well

limited to 300 copies. the charlatans - martin blunt (bass), jon brookes (drums), tim burgess (vocals), mark collins (guitar) and tony rogers (keyboards) - release their new single >my foolish pride<. the track features a video directed by douglas hart of the jesus and mary chain and artwork designed by crass gee vaucher. >my foolish pride< is the second single to be taken from the charlatans new album >who we touch< and comes backed by exclusive b-side >lips that would kiss<.

>tuff enuff?< sounds just the way an affirmative answer to the titular question should: lean and muscular, with sinewy bass flexing its way straight through. its a song full of robust underpinnings and carefully placed counterbalances: synths that lustrously shimmer and slowly dissipate, keys that sparkle faintly at the quietest moments. the first single on from the cradle to the rave, the debut album from shit robot – aka marcus lambkin, aka >the godfather of dfa< – is a perfectly executed composition in >homage to chicago house, kraftwerk and gay electronic disco.< the b-side features a wild geese remix of >i found love<, another stellar track from lambkins debut. in the capable hands of djs dan foat and frank tope, the laidback original

silkie returns with his first release on deep medi since his much talked about solo album city limits vol.1. city limits vol 1.2 is the first release in a series of four singles in the run up to his new and highly anticipated album city limits vol. 2 scheduled for release early 2011. city limits vol 1.2 will not feature on the album and will be available on limited 12 inch and download. dj support: mala (dmz), skream, joe nice (dub war/united states), quest, j 5ive, kromestar and all antisocial entertainment.

episode two on touched by records sees the introduction of yet another talented youngster understate with his track >technology< backed with a remix from d&bs top-boy zero tolerance! yet another great record from this up and coming drum & bass label.

mit spannung erwartetes debut des beatzerst½rers rustie auf warp, nach ersten soloreleases und remixes f?r modeselektor, zomby und the big pink. die >sunburst< ep ist ein brillianter, sensorischer schock zwischen hyper-digitaler videospielmusik und bombastischem, waghalsigem prog-rock - ein aurales prachtexemplar aus crunk (hiphop+rave+bass music), electro & techno!
inklusive coupon f?r freien download als 320kbps mp3.

the minimalist-oriented berliner by choice with his roots in new york once again shows his talents besides playing the bass and the guitar. pursuing his perfectionist approach he releases his first 12inch on rrygular!

no stranger to straight up, tracky techno - the cuts on adam marshall’s third cynosure release are pure evidence of his familiarity with the genre. >searching< on side a is the slick, dj-friendly, jacker - reminiscent of detroits early sound. a relentless, but never tiring, deep analog bass sequence backed with marshalls signature grooves are the recipe here. killer just about sums it up. on the flip, >jamming the unit< is another tracky workout designed for the long-mix, followed by the kick-less basic channel-influenced builder, entitled >champion<. a perfect weapon in any techno set. yes, another timeless, ace of an ep - packed with mix appeal from adam marshall… order now!

a1. >everybody techno< - this is typical of gideons dance floor techno style, thick beats with a marching bass-line. from the first beat we are guided through a tough no-holds-barred trip into an unforgiving world of the darker sides of techno music. a retrospective vocal with a sinister laugh completes this evil peak-time track.
a2. >flight to right now< - this minimal track snaps along with a very basic beat and synth combo. the synth rises as the track progresses to keep dance floors moving. there is a wonderfully simple aspect to this track that gets under the skin and allows people to really connect with it.
b1. >recession tool< (vocal mix) - recession tool is a chunky tech house track with a wonderfully chewed up vocal and ever-present reverse snares. the track pumps forward until a nice rising breakdown lifts to complete with more vocals and intricate drum loops.
b2. >rico< - rico is a long progressive track with a slow builds and a warped lead line. the least aggressive track on the ep and possibly the least expressive. that said, it still ticks along seamlessly with a perfectly crafted warble and smart drums.

lukes anger back with a brand new 10 track lp !! killer tracks feat. full colour sleeve art !! keeping true to his techno sensibilities (or non-sensibilities?), live wrong and prosper is a full- length-album sized collection of lukes finest recent work along with some massive exclusive tracks, including an extra special 2010 vip re-mash of his 2 biggest tracks to date! (see: >working on the floor<). expect ultra-heavy bass juggernauts in >gross negligence> and >bruce wobbelaar<. sexy acid swing-time in >nice car< and >tombstone trax< and all out wonk-factor-10 with >worried sid< and >beebop drop< and many more percolating slammers to be discovered! fans of the trademark >lukes anger charm< will have a field day with this release, with every track dripping in fat, tasty analogue lushness! lukes previous releases have always been picked up by a plethora of across-the- board dj’s, receiving support from the likes of laurent garnier, detroit grand pubahs, kid606, jerome hill, dj warlock, dj zinc and michael forshaw to name but a few.

tech-house stomper with a reggae dub edge. side a featurs loads of percussion and a funky deep bass. the dub goes deeper as a true reggae dub, taking on a fantastic, skankin off-beat dancefloor vibe.

matt john has done it again! the 3rd holographic island is an excellent sequel to the hypercube ep. “baby face one” on the a side, with its tripping arrangement of voices, precise percussive drums and its rolling bassline makes you feel like swimming within an always flowing river of sound. the b side track named the “bleepfactory” has a tense and explosive atmosphere and features a shimmering cloud of microsounds floating over a warm carped of bass frequencies and drum hits

wave music presents its newest release under the milk & honey moniker with additional production by boyd jarvis. the original long version is a beautifully drawn out symphony of strings and jazzy keys over a sultry downbeat and lazy vocoded vocals. consider this gold for fans of 4 hero and all lounge-core/downtempo fanatics. the flip however is boyd jarvis uptempo dance floor phenomenon. inserting a heavy and pumping bass line and adding xylophone arpegios alongside congas, organ synth and space atmospherics make for one wild galactic journey. think kevin yost remixed by salt city orchestra and you are right on target. slamming!

the first release will be with the new kid in town: ghost mutt. this young producer from brighton (uk) is linked as resident artist to the people of donky pitch with other residents like boss kite and slugabed. his sound can be, if we try to genre-ize it, defined as a mash-up of hiphop beats mixed with dubstep, covered with glitches, funky tweaks, purple flares and dirty basses. he has been sharing line-ups with tokimonsta, slugabed, blue daisy, boss kite, coco bryce and bass clef.

yes people, like dillinja once said, its time to get grimey! at the end of september, the man, the myth, the legend, mr terror danjah blesses rwina with the reinforced ep. a storming 3 tracker of top class grime for the connoisseurs, the ep is fully equipped with lazershifting bass-terrorism and high-end sonic manipulation.the lead track,reinforced,switches from sweet but dark r&b vibes to classic acid-esque rave touches, guaranteeing a proper reaction on the floor. peanut punch, a collaboration with regular sparring-partner d.o.k., sprinkles neon highlights over a minimal, bass-led beat, while the ep finishes up with stomp test - 4 to the floor club music designed to kill any dance. rwina & terror danjah - a perfect fit.

der klassiker aus 95, wieder da mit frischem master ... danke jimi!

its been 18 months since our first nang release, d-pulses >more<. nestled on that release was an extra ep track called >highway to saturn<. much to our delight it turned out to be a bit of a gem. when it featured on the tirk 02 and kitsune ponystep / jerry bouthier compilations we knew we were all onto something. (cue the overdrive and the interstellar vocal.) slovenian-based, us singer, hannah mancini, provides those cosmic vocals, ably recorded by sare havlicek in sunny ljubljan. after a sly re-titling of the track (to avoid confusion with the original the name has been extended to >on a highway to saturn<) its on to the obligatory over-the-top nang remix package...first up is a new version from d-pulse for those long summer nights. their >australian shore reversion< mix slows down the groove to a balmy evening by noosa shores pace. space-rock, guitar solos, smouldering synths and lazy rhythms all combine to make this one for the beach house. sare havlicek adds a couple of mixes of his own. keeping things hi-energy he goes for the disco jugular with his trademark stabby synths and tight production. nang newcomers, proper heat, strip things back and go for a slow-grooving baltic-disco chugger. rounding off the remix package is japanese based jan ken po (aka max essa). he delivers a dance floor friendly version with a big and bold walking bass riff and tasteful synths

four more explosive disco funk action gems to fill your dancefloor from a collaboration between texas finest exponents of funk and in flagranti with volume 4 of the series. >the insatiable tiger woods ep< as a nod to the sex addicted us golfer who allegedly likes a spot of disco dancing at the weekends. a brag mount is an infectious disco gem of such magnitude that girls will rush onto the dance floor with wild abandon. mishaps with chocolate is a cheeky and hooky bullet and theres no let up on the flipside as this value for money 4 tracker aims to prove with brass n bass led disco boogie. another essential vinyl item for your record box and another summer scorcher from the killer funk label stable !

nice price deal !!! for their fifth release todd bodine (highgrade, treibstoff, mothership) joined the cologne based label klangfarbe schallplatten and created a high-quality ep, which is hard to find today. duplexer (a1) initially allocates with bongos in space, to furthermore stabilize itself with more bass, percussion and volume, which leads into a durable, massive flow that s willing to persist bigger club duties as well. alpha (b2) is structurized akin to duplexer, but celebrates the true force, the true might of minimal by the use of consistently repetition of beat- and sound patterns as also psychedelic acid-parts in good, old plastikman tradition. morning breeze on b2 finally starts warmer and more housy, in a deep and easy lean-back manner, to distinctly cool down after a while and to approach the previous tracks. after all, the from nowhere to somewhere ep constitutes an extremely coherent ep, where it s obvious, that all three tracks mate together - as they are

tahloulas >we play house< in a remix incarnation by chris lattner is at last ready for release after figuring in charts and steadily garnering hype for more than a year. louise marie tüxens charming lyrics are sung on a morphing and modern house beat while a devastating organ-stab pushes the track on endlessly. a classic new york bass-line injects head-nodding and foot-tapping while small vocal snippets and fills create a layered floor-destroyer. a tune that easily could – and nearly did - stand alone, but to the luck of the listeners more is in store for them. emil & chesper, allows us the joy of putting out >the nigerian hustle<. dark and funky with rolling basslines and shadowy percussion, this track is heavily rooted in both berlins minimalism and detroits groovyness.to top off the good fortune is james braun & ubebes >neotony< – a percussion-oriented tech-house track reminiscent of chicago, where banging toms and vintage 808 claps all merge together to form a shining synergy, while blue chords and floating strings engulfs the listener.

gunnar stiller has always been known for producing dance floor >destroyers<, even if >far from okay< sounds a bit like a floor wax accident theres no need for the timid raver soul to get worried about slipping and falling. soft accords sedate the mind, the bass pumps in the adrenaline and a voice softly whispers that everything is going to be just fine…all you need to do is dance. when the janitor loko mops over the uy 038 floor with his remix you can even walk over it on the highest of high heels. it does in fact, get a bit rougher when the lights go out on >some kind of weird< and the smoke machine goes starts pumping. thats when its >black piste< time and thats no place for heidi klum or techno beginners…but who wants to be a model anyway, right?

frank nitt (frank n dank) und sepalot (blumentopf) sind fracture! das detroit-m?nchner gespann hat in der vergangenheit bereits mit bravour auf sepalots soloalbum red handed zusammengearbeitet. diese 5-track-ep vereint nun detroit rap, munich disco und miami bass wie keine platte jemals zuvor!